A Forager’s Take on Fairytales Pt. 1 - Tetragrammaton (2024)

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Written By Tetragrammaton

Izzy Johns, August 15 2024

Long ago in Drumline, County Clare, in the late 19th Century, an old farmer and his wife huddled for warmth in a mud hut. Many a cold winter passed, and finally, the man agreed to build his wife a house of bricks and mortar.

He set to work the following Spring. Not a day had passed when the old man received a visit from a traveler, who spoke these words:

“I wouldn’t build there if I was you. That’s the wrong place. If you build there you won’t be short of company, whatever else.”

The old man paid him no mind, but sure enough, the moment he and his wife lay down to rest in their new home, they were plagued by noise and disruption. Furniture was knocked over, cutlery strewn across the floor, crockery smashed. They couldn’t get a wink of sleep. But, as sure as day, whenever they went to investigate, they found nothing and no one. The old couple sought the help of the local preacher, who recognised this as the work of the Sidhe, the Little Folk of this land. He tried to exorcize the house, but to no avail.

After five sleepless nights, the man wearily set off to the market to sell their cows. It was the Gale day, the day that their rent was due, and money was sparse. English colonisers had seized land from the Irish farmers some years before. Now they were renting it back to them, and the rent was high.

The old man got a fair price for the cows, and he stopped at a roadside pub on the way home. It was there that he encountered the traveler once again. In desperation, the man begged the traveler for advice. He would do anything so that the Little Folk would let him rest. The traveler walked him home, and took him to stand in the yard, on the far side of the house.

He said:

“Now, look out there and tell me what you see.”
[…] “The yard?”
“No,” he says, “look again.”
“The road?”
“No. Look carefully.”
“Oh, that old Whitethorn bush? Sure, that’s there forever. That could be there since the start o’ the world.”
“D’you tell me that now?”
The old man walked out to the gable o’ the house, called [him], then says, “come over here.”
He did.
“Look out there, and tell me what do you see?”

He looked out from that gable end, and there, no farther away than the end o’ the garden, was another Whitethorn bush, standing alone.

“Now,” says the old man, “I told you. I warned you. The fairies’ path is between them bushes and beyond. And you’re after building your house on it.”

Upon the instruction of the traveler, the man built two doors in either side of thehouse, in line with the Whitethorns. From then on, the Little Folk had a clear passage, and the man and his wife were not bothered again.¹

“The higher you climb, the further you travel, the greater the view”

A Forager’s Take on Fairytales Pt. 1 - Tetragrammaton (1)

I was very struck by this account. It feels different to the rich, meandering folk-tale jewels I love so much, that are wrapped in mythos and allegory. Instead, this tale falls into the realm of family and community stories, that are still “lived in”, in this case, by the old couple’s grandson, who told this story to Eddie Lenihan in the living room of the very same house. He said that he still leaves the two doors ajar each night so as to let the fairies pass. There’s no use in locking them, he says, for they’ll only be open again by the morning.

Make no mistake, this story is not hearsay. A book of fairy tales might read like a book of fiction, but it isn’t. What we see in this tale, and so many others like it, is a relic of a complex faith system from times gone by, and it’s important that we storytellers hold it in that way. This story comes from Ireland, where the fairies are called Sídhe, or Sí, though often called by euphemisms to avoid catching their attention. The Sidhe are the descendants of the people of Danu, the Tuatha Dé Danann, a race of fallen Gods and Goddesses that dwell in the liminality between our world and the otherworld, the An Saol Eile. It’s only fair to acknowledge their providence, not least is it a crucial act of cultural preservation.

Fairies have a range of habitats depending on where you are live. In Ireland, they are particularly fond of two places: a lone Whitethorn (Hawthorn) tree, and the forts - those grand, grassy mounds of earth, often covered in a greater diversity of wild plants than their surroundings. In this tale, the old couple has disturbed not a habitat, but a passage between habitats. More savvy builders would have driven four hazel rods into the ground, marking out the proposed foundations of the house. If by the next day any rod had moved, the house should be built elsewhere.

The fairies in this story star in a role that I’ve seen in countless tales; defending their habitat from ecological destruction. Here, they were able to communicate with the intruders and resolve the problem quickly. It’s a good thing that the old couple were forthcoming. Fairies will always give warnings, but it’s perfectly within their power to cause grave suffering if those warnings aren’t heeded. They can be at best didactic and at worst violent, but they have no interest in troubling a person who isn’t troubling them. I can’t condone the violence, but I marvel at how proficient they are at protecting and stewarding the land. Plus, they greatly enrich the ecosystem. Various tales see fairies fertilizing soil for generous farmers, and producing abundances of wildflowers and fungi. It’s said that the rings of mushrooms we see in woodlands and meadows are where they’ve danced.

A Forager’s Take on Fairytales Pt. 1 - Tetragrammaton (2)

Thinking about this with an Ecologist’s gaze, fairies are a fascinating species. They might well be a larger genus with loads of regionally-specific variants like small people, spriggans, buccas, elves, bockles and knockers, browneys, goblins, dryads, gnomes and piskies. There’s a wealth of anecdotal evidence of their existence, thousands and thousands of stories, stretching back millenia, yet we’ve never successfully captured and studied them. Perhaps what makes this species most unique is their ability to outwit ours. Their cunning gently prods at our human arrogance, contesting our claim to be the most “developed” of species.

Far less frequently in the UK do we hear tales of the Little Folk interfering with larger property developments. In London, for example, you’ll scarcely come across a piece ofland that hasn’t been leveled ten times over, and most Whitethorns are confined to cultivated hedges. I wonder how many forts have been destroyed in my neighborhood. Our lack of understanding of the fairies’ life cycles and physiology makes it pointless to speculate on why larger builds don’t experience ramifications from the little folk. It’s hard not to wonder if heavy machinery, giant crews of contractors and big blocks of hundreds of dwellings haven’t been too much for the fairies to contend with. I hate to think that, unbeknownst to us, urbanization might have wiped them out. If fairies are still around, it’s clear that they’re gravely endangered.

If this is the case, then it makes fairies one of over two million species under threat of extinction. It’d be such a shame if these creatures, these stories, and the feelings that they represent, disappeared altogether. I love this tale for giving us such a tangible example of humans making space for fairies and subsequently managing to co-exist peacefully. The fairies in this story are model land guardians, and from that we humans have a lot to learn.

Arcadia Molinas is a writer, editor, and translator from Madrid. She currently works as the online editor of Worms Magazine and has published a Spanish translation of Virginia Woolf’s diaries with Funambulista.

¹As recounted to Eddie Lenihan in 2001 by the couple’s grandson, recorded in ‘Meetingthe Other Folk…”

wunderkammer

Tetragrammaton

A Forager’s Take on Fairytales Pt. 1 - Tetragrammaton (2024)

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